Show Menu

Browse Items: 39

We're Gonna Have a Ball - Jim Mayo - MWSD 5

This is the final dance from Jim Mayo's Modern Western Square Dance workshop, recorded November 19, 2011, as part of the Dare To Be Square Weekend held at the John C. Campbell Folk School, Brasstown, NC. The weekend was supported in part—including the videography expense—by Country Dance and Song Society (CDSS).

For many of the 70 dancers at…

Patter - Jim Mayo - MWSD 4

This is the fourth clip in a series of videos documenting Jim Mayo's workshop on Modern Western Square Dance, recorded November 19, 2011. This was part of the Dare To Be Square Weekend held at the John C. Campbell Folk School, Brasstown, NC, supported in part—including the videography expense—by Country Dance and Song Society.

For many of…

When the Saints Go Marching In - Jim Mayo

Jim Mayo, caller. A dance in modern square dance style set to the well-known tune. Jim says this is the signature dance of his friend Joe Casey, another MWSD caller from New England.

Best Things in Life Are Free - Jim Mayo

This song was used by Jim Mayo for his first recording which was on Mac Gregor Records (#2055) in 1963. The figure used here was created for this group of dancers to show how MWSD singing calls are adapted choreographically.For another version of this dance, aimed at people who are not experienced modern square dancers, watch this version by caller…

Old Grey Bonnet - Jim Mayo

Listen to Charley Thomas calling this song.

Jim Mayo's 40th - Hash

Caller, Earl Johnston, a member of the first CALLERLAB Board of Governors. Johnston was from Vernon, CT, and was a disciple of Al Brundage. This footage was taken by Bill Cross on October 1, 1989, at the party hosted by Jim and JoAnn Mayo to celebrate Jim's 40th anniversary as a square dance caller. It's a fine example of good timing in modern…

DTBS Callers & musicians

The callers are joined by the musicians from the Dare To Be Square Weekend. Front row: Jim Morrison, guitar and fiddle; Sam Bartlett, banjo; Claudio Buchwald, piano and fiddle; Steve Hickman, fiddle

Brasstown Callers

The six callers at Dare To Be Square, Brasstown, NC, 2011. They are also consultants to this Square Dance History Project. From left to right: Phil Jamison, Bill Litchman, Larry Edelman, Tony Parkes, Bob Dalsemer, and Jim Mayo

Jim Mayo 6 - Key Elements of Modern Square Dance

Jim discusses features that make modern square dancing different from traditional squares, including the unpredictable nature of the calls, the necessity for lessons, and the club structure that provides an important social element.

Jim Mayo 5 - Basic Formations, Complex Calls

Jim points out that there are only a few basic formations in modern square dancing. One of the distinctive features of modern squares is the way that a series of basic moves are combined into one call. Swing Thru was an early example of this; Ed Gilmore objected to that term, saying that he could call the moves using more basic terminology. Later…

Jim Mayo 4 - New choreography

New calls such as Wheel and Deal and Swing Thru gave modern square dance callers powerful tools for creating new choreography and patterns of movement. Callers discovered that the sequence "Wheel and Deal, Double Pass Thru, Centers In, and Cast Off 3/4," repeated three times, would get all dancers back where they had started—a triple zero, which…

Jim Mayo 3 - Start of CALLERLAB

The 1970s saw a dramatic increase in the number of calls, which led to repeated cries from dancers for someone to bring order out of chaos. This led to the formation of CALLERLAB.