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Daisy Alamo patter - Robby Robertson

This is a live recording of Robby Robertson teaching a "Daisy Alamo" combination of a Daisy Chain and an Alamo Style progression, followed by calling a dance with those figures. (The dance itself starts at 1:23.) The recording was made by Eric Clamons at the Fifth Annual (1956) Minnesota Square Dance Convention.Robertson was a prominent caller on…

Patter - Clarence Haller

This is the last dance of an evening program hosted by Clarence Haller in Evansville, Indiana. Haller calls a succession of traditional figures including Cut Off Six, Arkansas Traveler, and Take a Little Peek.

Les Gotcher - two live calls, 1955

From a dance that Les Gotcher called, probably in 1955, we have an example of a very early Hash & Breaks style of calling that was to become his trademark in future years. In those later years Gotcher was known to use singing calls sparingly but that 1955 dance shows him singing "Home in San Antone." The audio clip here starts with some of the…

Your Home Town - Fenton "Jonesy" Jones

A rare live recording of Jonesy calling, this time a singing square.

Ends Turn In - Fenton "Jonesy" Jones

This is a rare live recording of Fenton “Jonesy” Jones from California. In the 1954 tape he says that he prefers to use his guitar for music rather than records even for some of the patter calls. The choreography is the classic Ends Turn In routine created by Ed Gilmore and published in Sets In Order magazine in 1951.

Comin' Round the Mountain - Eric Clamons

Third of three clips from Minnesota caller Eric Clamons, this one a traditional singing square.

Arkansas Traveler - Eric Clamons

Second in a series of three clips of Minnesota caller Eric Clamons. There are other examples of Arkansas Traveler on this website for comparison.

Forming squares - Eric Clamons

Eric Clamons was a square dance caller in Minnesota in the 1940s and 1950s. A chance conversation with his son in 2013 revealed that Eric had taped numerous recordings of square dances from the early and mid-1950s, some 50 of which were donated to this project. (The collection also included many boxes of printed matter, festival programs,…

Smoke On The Water, introduced by Ed Gilmore

During a morning workshop at the 1954 Minnesota State Convention Ed Gilmore introduces a "new" singing call written by his friend Pancho Baird.Tony Parkes comments:===It may have been new, but Ed had clearly studied it and made it his own; he changed some word metering, as he often did, to give the actual commands earlier and keep the dancers…

Ed Gilmore Teaching Dance Style

This is an audio recording of Ed Gilmore calling a morning workshop at the Minnesota State Convention in 1954. His subject is dancing style. At about 7 minutes he starts a teach of the figure Balance Eight.

Joe Lewis singing

Joe Lewis modified an accordion and used it to accompany himself on singing calls. He also used it to accompany his singing of songs as an entertainer after (or during) the dance. These two were recorded during a dance in the mid-1950's. Here he performs Frankie and Johnny, and a parody of square dance patter with the tag, "I wish that caller would…

Bill Shymkus

This is a short clip of a tip called by Bill Shymkus at the 3rd National Square Dance Convention in Dallas , Texas. The choreography is the goal post pattern that was very common at that time.

Jerry Helt

This is a short clip from a tip called by Jerry Helt at the 1954 National Square Dance Convention in Dallas, Texas.The choreography is the "classic" figure Texas Whirlwind.

"Doc" Alumbaugh

This is a short clip from a tip called by "Doc" Alumbaughat the 1954 National Square Dance Convention in Dallas, Texas. The choreography is the "classic" figures Dip and Dive and Right Lady High, Left Lady Low.

Bob Osgood

This is a short clip from a tip called by Bob Osgood at the 1954 National Square Dance Convention in Dallas, Texas. The choreography is a 3 Ladies Chain routine.

Sammy Spring's Quadrille - Don Armstrong

This dance, presented by Don Armstrong at the 1955 Minnesota State Square Dance Convention, comes from the calling of Sammy Spring. Don remarks in his introduction that the dance is similar to one of the figures of the Lancers, and he has this to say about the man from whom he learned the dance:

"We are privileged to have down in Florida one of…