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Contra Corners Canon

The dance was composed by Pittsburgh caller and choreographer Ron Buchanan. In this video, it's being called by Lisa Greenleaf.

Lisa Greenleaf 6 - the future of squares

Last in a series of six Lisa talks about ways to keep modern square dancing alive in the future. She cites the Pacific Northwest Teen Competition as one promising model to involve young people, and suggests that a "Dirty Dancing" kind of movie focused on square dance competition would provide a boost. She also is excited by the new dance series…

Lisa Greenleaf 5 - squares in the contra culture

Fifth in a series of six

Lisa is a well-known caller of contras and squares, usually working at events that are advertised for contra dancers. She discusses some of the challenges of incorporating squares into a program of contras.

Lisa Greenleaf 4 - finding material

Fourth in a series of six In this segment, Lisa offers some advice for individuals interested in learning to call squares. She also discusses where to find new material, and describes the difficulties she encountered when trying to incorporate into her repertoire some dances from Sets in Order in the 1950s and '60s.

Lisa Greenleaf 3 - modern and traditional squares

Third in a series of six

Lisa is one of a relatively small number of individuals who dance both modern and traditional squares. Here she describes what she likes about each form.

Lisa Greenleaf 2 - discovering squares

Second in a series of six

Lisa described how she moved into squares, discovering exciting squares at Pinewoods Camp from the calling of Larry Edelman and Kathy Anderson. Later, also at Pinewoods, she got a taste of modern Western squares from Bob Dalsemer and went on to take MWSD lessons at Bay Path Barn in Boylston, MA. From there, she…

Lisa Greenleaf 1 - working with a contra mentor

First in a series of six.

Lisa Greenleaf, a well-known caller of traditional squares and modern squares from the 1950s and 1960s, describes how she got started as a contra caller. She describes working with Larry Jennings, a Boston-area dance organizer and choreographer, who became her mentor.