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Red Bates, 2011 City of New Orleans

The 2011 singing call is the same one that he used in 2006, City of New Orleans, Rhythm record #182. The record, as Wade Driver called it, used a CALLERLAB Mainstream Program routine. As we noted in the 2006 clip, Red used three different routines. Both Red and I (Jim Mayo) were surprised to learn that here, five years later, he used the same three…

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Red Bates, 2011 - Patter

The 2011 patter call is probably from a group in Florida where Red now lives in the winter. Two things are notable. One is that he is using a much smaller vocabulary of calls than he has in the tips from earlier years. The other is that the music is a singing call record. (I Shall Not Be Moved". Quadrille # 910) Many callers who are comfortable…

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Red Bates, 2006 City Of New Orleans

The 2006 singing call, City of New Orleans, was probably to the Rhythm record #182 originally by Wade Driver with a Mainstream Program figure. By using three different figures in the dance rather than just one repeated four times, Red’s calling again shows the change in singing call delivery that by then was very common for many callers.

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Red Bates, 2006 Patter

The 2006 patter call shows Red’s usual programming using 11 of the PLUS Program calls in this one tip. The tempo had increased slightly to 123 bpm. His delivery style is conversational with somewhat less melodic variation than his early calling.

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Red Bates, 1990 From A Jack To A King

In the singing call Red uses the Introduction/Break/Closer as it was recorded on the Red Boot Star label #1320 by Bill Anderson and continues the practice, now very common among MWSD callers, of using four different routines for the figure. The tempo is still quite slow at 118 bpm.

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Red Bates, 1990 Patter

The 1990 dance was again for the Longmeadow club. The most striking thing to notice is the much slower tempo. In 1980 Red’s tempo for the opening patter call was 128 beats per minute (bpm). By 1990 he (and several others) had slowed the tempo considerably. In this tip the tempo is 116 bpm which is less, even, than he usually used at that time.

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Red Bates, 1982 Pecos Promenade

The singing call, Pecos Promenade, was recorded by Beryl Main on Chaparral label #406. At 120 beats per minute (bpm) it is the first indication in this collection of a trend toward slower tempo that was to become much more common. The singing call also shows a programming style that was becoming very common at that time. Red uses three different…

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The Caller - Jonesy

A list of qualifications and items to consider for would-be square dance callers

Aqua Barn

Article describing Seattle's Aqua Barn, a floating dance hall. The hall was created by Jack Riley, who obituary can be found here.

Square Dance Legislation Collection

The Square Dance Legislation Collection consists of manuscript materials (1975-present) documenting the history of legislation to designate the square dance as the national or state (folk) dance. The bulk of the materials concerns the public hearing on House Resolution 1706 held June 28, 1984, before the Subcommittee on Census and Population of the…

Patter - Clarence Haller

This is the last dance of an evening program hosted by Clarence Haller in Evansville, Indiana. Haller calls a succession of traditional figures including Cut Off Six, Arkansas Traveler, and Take a Little Peek.

Patter - Al Brundage, 1962

View full record for details.

Patter Calling - Ed Gilmore

This is a short clip of patter calling by Ed Gilmore. The choreography is the classic Ends Turn In that was created by Ed in 1951.

Patter Calling - Bill Peters

This is a short clip of Bill Peters calling patter at a dance in Adelaide, Australia in 1986.

Patter Calling - Frank Lane

This is a short clip from a dance called in 1969 by Frank Lane at the Newton Pavillion in Newton, New Hampshire

Patter Call - Dick Jones

This is a short clip of Dick Jones calling a patter call at a dance in 1970 at the Bay Path Barn in Boylston, Massachusetts

Patter Call - Earl Johnston

This is a short clip from a dance called by Earl Johnston in 1970 at the Bay Path Barn in Boylston, MA

Me and My Shadow - Bruce Johnson

This is a short clip taken from a recding by Bruce Johnson on Windsor Records. The tune is Me and My Shadow and the record is Windsor # W4828

Patter Call - Bruce Johnson

This is a short clip from a dance called by Bruce Johnson in 1957. The figure is the Right Lady High, Left Lady Under routine that was very common at that time.

Baby Face - Jack Jackson

This is a short clip of Jack Jackson calling the singing call Baby Face (Windsor Records #4877 by Al Brundage) at a dance in New England in 1962.